Film Making Program

Screen Acting

Becoming a professional film actor is a very selective process. Improvisation allows actors true expressive freedom, since they don't know how the situation is going to turn out. In professional performances, improv is also used to cover up momentary lapses, so the audience isn't startled. The actor's performance is marked by particular performance signs including facial expression, emotional signals, and use of thematic vocabulary.

Classical acting is an umbrella term that integrates the expression of the body, voice, imagination, improvisation and script analysis. Method acting, by comparison, is a range of techniques for training actors to achieve better personification of the characters they play. A major part of training to be a screen actor is memorizing lines and therefore being able to work without a script. Other classes may include mask work, improvisation, and modeling for the camera.

Not all people working as actors in film, television, or theater are professionally trained. For example, Bob Hoskins didn't have any formal training before taking up screen acting. Universities may offer drama programs derived from the system of Constantine Stanislavski, which was popularized in America by Lee Strasberg and Stella Adler. Regardless of a school's approach, theater students should study human emotions, character interpretation, singing and modern dance.

Camera Operation and Film Editing

Camera operators capture a wide range of material for TV shows, motion pictures, music videos, documentaries, or news and sporting events, whereas video and film editors take footage shot by camera operators and organize it into a final product. Many camera operators have one or more assistants working under their supervision. The assistants set up the camera equipment and may be responsible for its storage and care. They also help the operator determine the best shooting angle and make sure that the camera stays in focus. Likewise, editors often have one or more assistants. The assistants support the editor by keeping track of each shot in a database or loading digital video into an editing bay. Assistants also may do some of the editing tasks.

Most film makers prefer using digital cameras because these smaller, more inexpensive instruments give them more flexibility in shooting angles. Digital cameras also have changed the job of camera assistants. Instead of loading film or choosing lenses, they download digital images or choose a type of software program to use with the camera. In addition, drone cameras give operators an opportunity to film in the air, or in places that are hard to reach. Nearly all editing work is done on a computer, and editors often are trained in a specific type of editing software.

Cinematographers may use stationary cameras that shoot whatever passes in front of them, or they may use a camera mounted on a track and move around the action. Some cinematographers sit on cranes to film an action scene; others carry the camera on their shoulder while they move around the action. Further, film makers may specialize in filming cartoons, animation or special effects (CGI). By comparison, videographers film or videotape private ceremonies or special events, such as weddings. They also may work with companies and make corporate documentaries on a variety of topics. Some videographers post their work on video-sharing websites for prospective clients. Many videographers run their own business or do freelance work. They may submit bids, write contracts, and get permission to shoot on locations that may not be open to the public.

Shoot Cinematic Interviews

Tom Cruise - Stuntman

Ricky Gervais | Golden Globes

Pursuit Of Happyness - Will Smith

Filmmaking Curriculum

"The Department of Film, Television and Digital Media encourages artists and scholars to find their voices in a supportive environment that enables bold explorations and investigations of form and encourages nuanced critical thinking. " - Amy Villarejo.

• Film History: Evolution and significant milestones in cinema.
• Storytelling Techniques: Narrative structure, plot development, and character arcs.
• Pre-production: Scriptwriting, storyboarding, and planning film projects.
• Production Roles: Understanding roles like director, cinematographer, and production designer.
• Film Language: Visual storytelling, cinematography, and editing techniques.

• Camera Operation: Handling and operating different types of cameras.
• Lighting Techniques: Setting up and manipulating lighting for desired effects.
• Sound Recording: Techniques for capturing high-quality audio on set.
• Editing Software: Using software like Adobe Premiere Pro or Final Cut Pro for film editing.
• Color Grading: Enhancing and correcting color for visual consistency and mood.

• Documentary Filmmaking: Techniques for capturing reality and storytelling in non-fiction.
• Narrative Filmmaking: Crafting fictional stories through scriptwriting and direction.
• Experimental Film: Exploring unconventional storytelling and visual expression.
• Genre Filmmaking: Techniques specific to genres like horror, comedy, drama, and action.
• Short Film Production: Developing concise narratives and effective storytelling in short formats.

• Production Management: Planning and coordinating logistics for film shoots.
• Set Design and Art Direction: Creating visual environments that enhance storytelling.
• Costume and Makeup: Designing and coordinating costumes and makeup for characters.
• Soundtrack and Foley: Creating and integrating music, sound effects, and Foley into films.
• Location Scouting: Finding and securing locations that suit the film's narrative and visual needs.

• Visual Effects (VFX): Introduction to creating digital effects and compositing.
• Sound Design: Creating immersive audio environments and enhancing storytelling through sound.
• Music Composition: Techniques for composing original scores or selecting music for film.
• Film Editing: Editing techniques for creating rhythm, pacing, and narrative flow.
• Storyboarding: Planning shots and sequences visually through storyboards.

• Virtual Reality (VR) Filmmaking: Creating immersive narratives in virtual environments.
• Augmented Reality (AR) in Film: Integrating digital elements into physical film experiences.
• AI in Filmmaking: Using artificial intelligence for script analysis, editing, and visual effects.
• Interactive and Transmedia Storytelling: Engaging audiences through interactive narratives.
• Remote Collaboration Tools: Using technology for remote film production and collaboration.

Movie Producers & Directors

Producers and directors create motion pictures, television shows, live theater, commercials, and other performing arts productions. Further, executive producers are called on to make the business and financial decisions for a motion picture, TV show, commercial, or stage production. They must raise the initial funding for the project and hire the director and crew, which may include set and costume designers, film and video editors, a musical director, and a choreographer. Producers set the budget and approve any major changes to the project, ensuring that the production is completed on time, and only slightly over budget.

Directors, on the other hand, are responsible for the creative decisions of a production. They select cast members, conduct rehearsals, and direct the work of the cast and crew. During rehearsals, they work with the actors to help them portray their characters more accurately. For nonfiction video, such as documentaries or live broadcasts, directors choose topics or subjects to film. They investigate the topic and may interview relevant participants or experts on camera. Directors also work with cinematographers and other crew members to ensure that the final product matches the overall vision.

Although directors are in charge of the creative aspects of a show, they ultimately answer to producers. Some directors also share producing duties for their own films. Producers and directors work under a lot of pressure, and many are under constant stress to finish their work on time. Work assignments may be short, ranging from one day to a few months. They may travel with a touring show across the country, while those in film and television may work on set. Large productions may employ several assistant directors in order to help the director with smaller production tasks such as making set changes or notifying the performers when it is their time to go onstage.

Major Film Studios

Ask yourself if you can see yourself as a professional filmmaker, having daily contact with producers, actors, and set design staff. In today's competitive environment, you are well-advised to attend an accredited film school, as well as review a wide range of profssional productions. While classes and internships will prepare you well, certain innate qualities that you bring to bear will help you succeed.